As those of you who follow us on The MOD Blog may know, we’ve got a soft spot for historical dramas and their many modernized counterparts (cue The Gilded Age soundtrack), which is precisely what inspired today’s opinion piece—are the wedding gowns of yesteryear making a comeback for 2025/2026? The MOD Blog ponders, with a gallery of references from historical figures to fictional ones.
Before we dive in, let’s give credit where credit is due: The Gilded Age, HBO’s acclaimed period drama (available on Amazon Prime in select regions), set in the late 19th century, aired its fourth episode of Season 2 on July 13, showcasing the wedding of Gladys Bertha Russell, Duchess of Buckingham (portrayed by Taissa Farmiga), to Hector Vere, 5th Duke of Buckingham. Amidst the tears and general commotion surrounding the wedding—and the emotional havoc that made this episode a must-watch (if we’re being honest, this entire show is a must-watch)—what stood out in the most undeniable way was the bride’s wedding dress. Thanks to costume designer Kasia Walicka-Maimone’s keen eye for detail and her penchant for historically accurate ensembles, the sculptural flow and poetic intricacy of Gladys’s dress was an instant hit in our books. And here’s why we think it could be a major trend in Dubai for the seasons to come. | Image from THe Gilded Age Press
Middle Eastern brides love to celebrate their femininity and are unafraid to do so in a style that is truly unique to them. This often means large volumes, lace, floral appliqués, crystal embellishments, and all things associated with the princess treatment. And if there’s one thing we can attest to—regardless of the budget for the actual wedding—the dress will always be fabulous.
It’s no wonder, then, that styles such as Gladys’s would serve as immense inspiration for the Middle Eastern bride. Throughout the region, there's still a storybook approach to weddings that perhaps isn’t so commonplace across the rest of the world right now. Yes, brides everywhere want to look beautiful and embody their own version of femininity on their special day—but whereas their Western counterparts might opt for a minimalist satin shift dress, the Middle Eastern bride often leans into old-Hollywood glamour with all the traditional notes of femininity, albeit with a contemporary touch.
One look at the celebrated wedding pages from the region, such as Khaleeji Weddings, is proof. “There’s modernity in so many aspects, and brides are challenging convention every day,” says Mohammad Alhouri, co-founder of MOD, “but there’s an old-world approach to femininity that is endearingly Emirati in its beauty. It isn’t clinging to the past, but rather a celebration of womanhood.”
| Image from THe Gilded Age Press
Gladys’s dress ticks all the boxes of this ethos—from the cinched waist and accentuated bustle to the modest intricacy of the appliqué, peek-a-boo sheer lace, and delicate orange blossoms. The costume department pulled out all the stops in its creation: the lace for the veil was sourced from England and sewn by milliners Camilla Chuvarsky and Rhyan Shipman; the dress itself was made in Italy by the team at Tirelli Costumi; and the final embellishments and fittings were completed by the show’s in-house tailors, led by Suke Baula.
The look was topped off with Italian jewelry by Pikkio. It’s a couture-level attention to detail that Dubai-based brides are no strangers to.But beyond the fantasy of fictional television—do we see any real-world evidence of a resurgence in these painterly styles of wedding gowns?
| Image from Elie Saab
Elie Saab’s SS26 bridal collection certainly suggests so. Look No. 9, in particular, features a fully embroidered, long-sleeved sheath with floral thread embroidery, beads, and organza petals, worn over a lace sweetheart mermaid gown. Similarly, Zuhair Murad’s SS26 bridal collection includes a style that feels plucked from Grace Kelly’s daydreams—crafted in lace as sheer as a cloud, paired with wispy layers of organza and tulle.
Inspiration-wise, designers seem more enamored with the past than ever. There’s a celebration of eras gone by that feels almost refreshing—perhaps a quiet longing for “a better time” lingers in the air. When you look at weddings like that of the Shah of Iran and Queen Soraya in 1951, there’s a fairytale sensibility that still resonates with women in the region. While this may be misinterpreted by Western critics as outdated or anti-feminist, women in the Emirates take great pride in their celebration of womanhood—and have no problem saying so.
After all, shouldn’t a woman’s right to choose include the freedom to write her own story?
| Photograph on right: The Shah of Iran & Princess Soraya
Stories are, after all, the ambrosia of dreams. They become the memories woven into the fabric of our most cherished moments. Gladys Bertha Russell’s dress in The Gilded Age is undeniably beautiful—but its inspiration also comes from a real-life wedding story: that of Consuelo Vanderbilt’s marriage to the Duke of Marlborough in 1895. Though arranged and ultimately unhappy, the celebration was one of the grandest of its era. And while the real-life duchess may not have had a storybook ending, the sartorial legacy she left behind has lived on in many a bride’s happily ever after | Image of Consuelo Vanderbilt as featured in VOGUE via Getty.
For your inspiration, MOD has curated a series of images that are sure to set your heart aflutter—from the detailing of Gladys Bertha Russell’s gown to Consuelo Vanderbilt’s real-life bridal look. Share your thoughts with us on The MOD Blog or over on Instagram.
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Credits:Images 1-5: The gilded Age Press Room | Elie saab Bridal SS26 | The Shah of Iran & Princess Soraya in her custom Christian Dior wedding gown, 1951 | Zuhair Murad Bridal SS26 | The Gilded Age Press Room | Consuelo Vanderbilt Dresses | The Making of Princess Soraya’s Wedding Gown by Christian Dior | Sketch of Grace Kelly’s Civil Wedding Dress by Helen Rose & Photograph of the subsequent wedding to Prince Rainier III of Monaco, the dress is also by Helen Rose.